
Dance Together
2019

2013
PGDirector
Darla Rae
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
NBA player Mike "Stinger" Glenn plays himself in this wonderful film inspired by his real life basketball camps for the deaf and hard of hearing. In a unique casting deaf and hard of hearing, and hearing actors work together and deliver a film which is authentic, charming, competitive, and challenging.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks visible representation of non-heteronormative identities. The narrative focuses primarily on the intersection of athletics and disability rather than queer experiences.
Gender Representation
The story centers on a male protagonist, Mike Glenn. There is little evidence of female characters possessing high agency or the subversion of traditional gender hierarchies.
Racial & Ethnic Diversity
The presence of NBA player Mike Glenn introduces racial diversity into the film. The athletic setting suggests a degree of inclusion within the broader cast.
Religious & Cultural Diversity
The film follows traditional family genre conventions that celebrate community service and individual achievement. It reinforces social cohesion rather than challenging Western or secularist norms.
Disability Representation
The production excels by casting both deaf and hearing actors to ensure authenticity. This approach grants high agency to the deaf community within a competitive framework.
Strengths
Areas for Improvement
AI Analysis
The film is a specialized biographical drama that finds its greatest success in authentic disability representation. By utilizing deaf and hard-of-hearing actors in collaborative roles, it avoids common tropes and centers the community's lived experiences. However, the narrative remains somewhat narrow in its scope. The focus on a singular male protagonist and traditional community values limits the film's intersectional depth, particularly regarding gender and LGBTQ+ identities. Ultimately, while the film succeeds in disrupting conventional depictions of disability, it adheres to standard biographical structures that do not actively challenge broader social or systemic hierarchies.

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