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Tomorrow I'll Wake Up and Scald Myself with Tea

Name: Tomorrow I'll Wake Up and Scald Myself with Tea
Director: Jindřich Polák
Released: 1977
Duration: 93 min

Representation Score

4.5/10

Fair

1977

Director

Jindřich Polák

Runtime

93 minutes

Average Rating

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New Showbiz Analysis

The film is a genre-driven speculative comedy that prioritizes historical critique over diverse representation. While it successfully challenges fascist narratives, it remains limited by the demographic constraints of its era and region. The primary strength lies in its moral complexity and the disruption of traditional male archetypes through the twin-impersonation plot.

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Category Breakdown

Does Tomorrow I'll Wake Up and Scald Myself with Tea have LGBTQ+ representation?

Fair

The film does not include explicit representations of LGBTQ+ identities or relationships that challenge the assumption that everyone is straight or cisgender. The story centers around a conflict between the protagonist's brother and an antagonist with historical ambitions.

How does Tomorrow I'll Wake Up and Scald Myself with Tea portray gender?

Fair

The plot includes a 'woman-chasing' pilot cliché that emphasizes male desire. However, the shift from the original pilot to his earnest brother disrupts the singular, dominant male archetype by emphasizing duty over bravado.

How racially and ethnically diverse is Tomorrow I'll Wake Up and Scald Myself with Tea?

Limited

Reflecting its 1977 Czechoslovak origins, the film focuses on European historical and political frameworks. There is no evidence of non-white casting or the use of non-human species as racial metaphors.

How does Tomorrow I'll Wake Up and Scald Myself with Tea represent religion and culture?

Good

The story critiques historical fascism by focusing on a failed mission to restore a Nazi regime. This framework suggests a skepticism toward the permanence of political power and historical morality.

Does Tomorrow I'll Wake Up and Scald Myself with Tea include disability representation?

Minimal

There is no information regarding characters with visible or invisible disabilities. No assessment can be made regarding representation in this category.

Present on Screen

The narrative provides a strong critique of historical fascism and the morality of political power.
The twin-impersonation cliché disrupts traditional, bravado-heavy male archetypes in favor of competence and duty.

Limited or Absent

The film lacks intentional representation of LGBTQ+ identities or non-straight-centered relationship dynamics.
The casting and setting are limited to European historical frameworks, lacking racial and ethnic diversity.

Official Synopsis

Former Nazi Klaus Abard survives to the 1990s by taking anti-ageing pills. He plans to use a time travel trip to return to Germany in 1944 and present Hitler with a hydrogen bomb, so that he can win the war. Unfortunately the pilot, woman-chasing Karel Bures, dies on the morning of the trip and his earnest twin brother Jan impersonates him, without knowing about the plot.

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