
Wake Wood
2011

Representation Score
Limited
2013
RDirector
Jim Mickle
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
We Are What We Are is a traditionally demographically focused film that excels in narrative subversion. While it lacks racial and LGBTQ+ breadth, it successfully deconstructs the dichotomy between civilized law and ritualistic tradition. The film uses its homogeneous setting to heighten tension, making the family's isolation feel absolute. It avoids the cliché of the passive female, instead placing women at the center of the family's survivalist rituals. Ultimately, the work serves as a critique of mainstream social order, portraying the family's anti-social behavior as a necessary preservation of their specific, harrowing culture.
Category Breakdown
The film focuses solely on a nuclear family in a rural setting and does not include any non-assuming gender matches what was assigned at birth identities or same-sex relationships.
The family follows a patriarchal structure, but the daughters play active roles rather than passive ones. When the matriarch dies, the women take on critical responsibilities.
The story depicts a homogeneous white, working-class community in the American South. The casting reflects the isolation typical of the folk-horror genre.
The narrative challenges Western morality by centering on a family practicing ritualistic cannibalism. It portrays external social structures as intrusive forces against ancestral traditions.
The film explores psychological trauma and the mental toll of isolation. However, it does not feature specific physical or neurodivergent disabilities as central plot devices.
Present on Screen
Limited or Absent
Official Synopsis
The Parkers, reclusive people who cling to ancient customs, find their secret lives threatened when a torrential downpour and the death of the family matriarch forces daughters Iris and Rose to assume special responsibilities.

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