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Sharad of Atlantis

Name: Sharad of Atlantis
Director: B. Reeves Eason, Joseph Kane
Released: 1936
Duration: 226 min

Representation Score

1.8/10

Minimal

1936

Director

B. Reeves Eason, Joseph Kane

Runtime

226 minutes

Average Rating

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New Showbiz Analysis

Sharad of Atlantis functions as a standard genre piece that adheres to traditional storytelling structures. While it offers a more active female role through Diana, the film remains anchored in conventional modes. The narrative lacks depth in reflecting multiple aspects of identity and fails to challenge established social norms. It relies on binary visual shorthand and masculine-led heroism rather than exploring complex or diverse perspectives. Ultimately, the film serves as a straightforward adventure that prioritizes clear-cut heroism and linear clichés over social or cultural complexity.

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Category Breakdown

Does Sharad of Atlantis have LGBTQ+ representation?

Minimal

The film follows a conventional structure that assumes everyone is straight or cisgender. There are no non-cisgender identities or same-sex relationships in the narrative.

How does Sharad of Atlantis portray gender?

Fair

Diana stands out as a proactive female character, showing initiative and independence. However, the narrative emphasizes male physical heroism and leadership through the protagonist, Crash Corrigan.

How racially and ethnically diverse is Sharad of Atlantis?

Limited

The film uses color-coded capes to signify morality rather than diverse characters. The lack of specific casting details suggests a homogeneous approach typical of 1930s adventure films.

How does Sharad of Atlantis represent religion and culture?

Limited

The story relies on traditional Western adventure themes involving scientific discovery and global stability. It reinforces a standard moral dualism between order and chaos.

Does Sharad of Atlantis include disability representation?

Minimal

The characters are presented as fully able-bodied participants in a high-action adventure. No visible or invisible disabilities are portrayed within the narrative.

Present on Screen

Diana exhibits professional initiative and intellectual independence as a reporter.

Limited or Absent

The film lacks diverse casting and reflects limited aspects of identity.
Narrative ability to act is heavily skewed toward masculine leadership.
Morality is presented through simplistic, color-coded visual shorthand.

Official Synopsis

Crash Corrigan, a recent graduate of Annapolis, and Diana, a go-getting reporter, join Professor Norton for a search for the source of a string of earthquakes, Atlantis. They ride Prof. Norton's rocket submarine searching the sea and little Billy Norton, the professor's son stows away, of course. When they find Atlantis they are caught in a war between peaceful Atlanteans, note their white capes, and war-monging Atlanteans, note their black capes. After many harrowing moments for Crash, Diana, Prof. Norton and Billy, they barely get away with their lives when they escape a tower of Atlantis raised to the surface for the sole purpose of dominating or destroying the Earth (Which one depends on the compliance of the upper world dwellers.)

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