The film adheres strictly to 1950s Gothic horror conventions. There are no non-cisnormative identities or narratives that challenge heteronormativity, focusing instead on traditional predatory archetypes.

Gender hierarchies are reinforced through the 'damsel in distress' motif. Agency resides almost exclusively with male figures, while female characters are positioned as passive subjects of violence.

The cast is ethnically homogeneous, reflecting the era's standard for Western European aristocratic settings. There is no evidence of color-blind casting or non-white characters.

The film operates within a traditionalist framework using standard Gothic tropes. It reinforces established social and moral structures rather than critiquing Western institutions or religion.

There are no prominent depictions of physical or neurodivergent disabilities used as central narrative drivers or character traits.