
Selfie
2018

Representation Score
Fair
2021
Director
Salomón Askenazi
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The King of the Party is a character-driven psychological drama that prioritizes individual existentialism over systemic characters who reflect more than one aspect of diversity. While the film avoids Hollywood homogeneity by utilizing a culturally diverse Latin American cast, its narrative core remains focused on a singular male protagonist's identity crisis. The film succeeds in offering non-Western perspectives through its casting and cultural context. However, it lacks specific, verifiable depictions of LGBTQ+ identities or disability representation, leaving those areas of diversity unaddressed. Ultimately, the work disrupts conventional biographical narratives by questioning the stability of the self, but it does not demonstrate a pattern of intentional systemic subversion.
Category Breakdown
The film explores a profound crisis of identity through a surrogate persona. However, it lacks explicit depictions of LGBTQ+ identities or queer intimacy.
The story centers on a male protagonist's transformation. While female characters may serve as catalysts, there is no evidence of them possessing high ability to act or challenging traditional hierarchies.
The production features significant Latin American representation in its cast. This provides a diverse ethnic lens that moves away from dominant Anglo-centric cinematic perspectives.
The narrative focuses on existentialism and the deconstruction of the self. It prioritizes individual psychological truth over traditional social or institutional stability.
There is no verifiable evidence regarding the portrayal of physical or neurodivergent disabilities within the film.
Present on Screen
Limited or Absent
Official Synopsis
A man going through a crisis chooses to live somebody else's life for a week, transforming his identity.

2018

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