The film contains no discernible LGBTQ+ characters or non-heteronormative identities. The narrative focus remains strictly on masculine-coded martial arts training and combat.

Gender hierarchies follow 1970s martial arts conventions. Male protagonists drive the plot, while female characters occupy peripheral or traditional roles without subverting established norms.

The cast is ethnically homogeneous, reflecting the historical Chinese setting and Shaw Brothers production style. It does not utilize contemporary racial blending or color-blind casting.

While rooted in Shaolin Buddhist traditions, the temple serves primarily as a backdrop for martial training. The film follows traditional moral codes rather than deconstructing institutional authority.

There is no portrayal of characters with visible or invisible disabilities. The story emphasizes the physical perfection and peak capability of the martial artists.