The film lacks explicit evidence of non-cisnormative identities or same-sex intimacy. The narrative focuses on supernatural and historical conflict rather than exploring sexual orientation.

Plot drivers center on masculine archetypes of power and destruction. There is little evidence of female characters possessing high agency or the subversion of traditional gender hierarchies.

As a Japanese production, the film maintains a culturally homogeneous cast. It offers a localized, authentic exploration of Japanese myth without the imposition of Western-centric casting norms.

The story explores the tension between tradition and modernity through a postmodernist lens. It frames the city as a site of potential destruction amidst technological advancement.

There is no documented portrayal of physical disabilities or neurodivergence. While the film touches on psychological alienation, it is unclear if these states are treated with character agency.