
Dad Is Gone, Mom Also
1989

Representation Score
Good
2017
Director
Kim Hiorthøy
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a character-driven exploration of systemic instability. By focusing on the breakdown of traditional family structures and the introduction of external belief systems, it challenges conventional domestic order. Kim Hiorthøy’s unique direction emphasizes a fragmented, subjective reality over inherited social structures. While the narrative deconstructs standard social frameworks, the absence of explicit identity markers limits the depth of its representation in certain categories.
Category Breakdown
The film examines the impact of a missing father on the family structure, disrupting traditional family dynamics. However, it does not explicitly depict any LGBTQ+ identities.
By shifting authority away from traditional paternal figures and focusing on the mother's new philosophies and the daughter's perspective, the film challenges conventional gender roles and hierarchies.
An Eastern European self-help guru introduces non-Western cultural elements into the home, challenging the homogeneity of the Western family unit. However, the overall diversity of the cast remains unspecified.
The film critiques institutionalized guidance through a child's navigation of shifting, subjective rules, introducing external philosophical frameworks that challenge traditional beliefs.
There is no evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Storm is 10 years old. When her father disappears and her mother starts making instructional videos with an Eastern European self-help guru, Storm must decide which rules life to adhere to lest the world should fall apart.

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