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Ascent to Hell

Ascent to Hell

2017

Director

Dena Hysell-Cornejo

Runtime

80 minutes

Average Rating

No ratings yet

Synopsis

When a realtor shows an old New York factory building to a group of would-be investors, they are unwittingly caught in its tragic and sinister history.

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Diversity & Representation

Overall Score

2.1/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks any evidence of non-cisnormative identities or same-sex dynamics. The narrative focuses entirely on a group of investors within a horror setting.

Gender Representation

Limited

While the cast features female leads like Azura Skye, the film follows a traditional ensemble dynamic. It does not appear to subvert gender hierarchies or leadership roles.

Racial & Ethnic Diversity

Limited

The cast and setting do not indicate a diverse or non-Anglo-Saxon majority. The ensemble follows a conventional pattern without documented emphasis on intersectional racial depth.

Religious & Cultural Diversity

Limited

The story utilizes a tragic history trope centered on a New York factory. It lacks any critique of systemic social structures or traditional Western institutions.

Disability Representation

Minimal

There is no depiction of characters with visible or invisible disabilities. The film provides no representation of neurodivergence or chronic illness.

Strengths

  • Features female leads such as Azura Skye within the ensemble cast.

Areas for Improvement

  • Incorporate diverse racial and ethnic backgrounds to move beyond conventional ensemble casting.
  • Include characters with visible or invisible disabilities to improve representation.
  • Introduce LGBTQ+ identities or narratives that address heteronormativity.
  • Develop complex character arcs that engage with systemic social or cultural critiques.

AI Analysis

Ascent to Hell operates as a localized horror narrative that prioritizes atmospheric dread and site-specific mystery over sociological depth. The plot centers on investors encountering a sinister history within a New York factory, a setup that leans heavily into established genre tropes. The film lacks meaningful intersectional character arcs or systemic narrative disruptions. Representation remains within the bounds of a traditional, non-progressive model, focusing on environmental tension rather than diverse human experiences. Ultimately, the production functions as a standard genre piece. It does not attempt to deconstruct social structures or provide representation for marginalized identities, resulting in a very low diversity profile.

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