Angel

The film does not include any characters or stories related to sexual orientation or gender identity. Its focus on classical iconography and celestial themes lacks any clear queer undertones.

The non-linear structure prevents traditional gender hierarchies from forming. However, female-coded figures are static statues and do not have ability to act.

The visual style relies heavily on classical European art and historical Western iconography. The collage technique does not offer much representation of non-Western or underrepresented ethnicities.

Religious and celestial imagery is reinterpreted through a postmodern lens of assemblage. While it disrupts traditional liturgical authority, it does not actively critique Western institutions.

There are no depictions of individuals with physical or neurodivergent disabilities. No characters are used as plot devices related to health or sensory conditions.