The film's focus on social marginalization suggests an exploration of identities outside heteronormative visibility. While specific character identities are not explicitly detailed, the thematic intent points toward non-cisnormative experiences.

The inclusion of female directors like Isabel Coixet helps disrupt traditional patriarchal hierarchies. The narrative likely centers the lived experiences of women within systemic or domestic roles.

As a European-led anthology, the film moves away from Anglo-centric storytelling. It appears designed to highlight the friction between dominant social structures and marginalized ethnic or migrant groups.

The anthology format critiques established social and economic institutions. By focusing on the 'invisible,' the film frames Western structures as frameworks that facilitate social exclusion.

The film's objective to examine suffering aligns with depictions of physical, mental, or socioeconomic disabilities. It seeks a nuanced portrayal of those navigating systemic limitations.