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Rev. S.S. Jones Home Movie: Yale Collection Film 28

Name: Rev. S.S. Jones Home Movie: Yale Collection Film 28
Director: Rev. Solomon Sir Jones
Released: 1928
Duration: 15 min

Representation Score

4.6/10

Fair

1928

Director

Rev. Solomon Sir Jones

Runtime

15 minutes

Average Rating

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New Showbiz Analysis

Rev. S.S. Jones Home Movie is a significant historical document that disrupts the traditional white gaze. By capturing Black communal life in 1928 Oklahoma, it provides a rare instance of self-documented ability to act and historical presence. While the film does not engage in modern narrative subversion regarding gender or sexual norms, its value lies in its archival importance. It serves as a foundational layer of visibility for a community often omitted from mainstream history. The work functions more as an ethnographic record than a scripted film, prioritizing the preservation of faith and community over progressive social deconstruction.

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Category Breakdown

Does Rev. S.S. Jones Home Movie: Yale Collection Film 28 have LGBTQ+ representation?

Limited

The film does not explicitly show LGBTQ+ identities, which were likely unstated or invisible given the time period and home movie format.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 28 portray gender?

Fair

The footage captures communal activities like footraces and Baptist gatherings. Women participate in these events, but their roles seem to align with traditional social structures of the era.

How racially and ethnically diverse is Rev. S.S. Jones Home Movie: Yale Collection Film 28?

Excellent

This film provides vital documentation of Black life in Tulsa and surrounding Oklahoma towns. It highlights the ability to act and communal strength of Black individuals, offering a necessary counter-narrative to mainstream historical archives.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 28 represent religion and culture?

Good

The footage is deeply rooted in Baptist traditions and religious life. It preserves a specific cultural identity through a localized, non-Western-centric view of social and spiritual organization.

Does Rev. S.S. Jones Home Movie: Yale Collection Film 28 include disability representation?

Minimal

There is no specific information regarding the depiction of individuals with visible or invisible disabilities in this footage.

Present on Screen

Documents Black life and Baptist gatherings in the late 1920s, providing high levels of ability to act.
Acts as a vital historical counter-narrative to the homogeneous depictions found in mainstream archives.
Offers a rare, self-documented view of communal strength and religious identity in Oklahoma.

Limited or Absent

Lacks explicit representation of LGBTQ+ identities or non-traditional social structures.
Does not provide clear evidence of women occupying roles that challenge traditional gender hierarchies.
Does not address or depict individuals with disabilities.

Official Synopsis

Baptists, cars and trucks on a train, footrace and other activities in Tulsa OK; Ransom, IN; Coweta, OK; Wybark, OK; and unidentified locations.

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