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Rev. S.S. Jones Home Movie: Yale Collection Film 20

Name: Rev. S.S. Jones Home Movie: Yale Collection Film 20
Director: Rev. Solomon Sir Jones
Released: 1925
Duration: 16 min

Representation Score

3.6/10

Limited

1925

Director

Rev. Solomon Sir Jones

Runtime

16 minutes

Average Rating

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New Showbiz Analysis

This 1925 home movie provides a rare glimpse into Black life during the Jim Crow era, highlighting schools, businesses, and daily routines in Oklahoma and Missouri. It centers on Black-populated spaces that are often overlooked in mainstream historical records. Though the film lacks modern subversion or LGBTQ+ visibility, its value lies in its authentic portrayal of Black community life. It showcases Black institutional strength and autonomy, acting as a crucial counterpoint to the era's predominantly white media perspectives. The documentary's strength is its focus on Black-owned commerce and education, providing a rare look at Black institutional life during a time of significant social constraints.

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Category Breakdown

Does Rev. S.S. Jones Home Movie: Yale Collection Film 20 have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives, which is consistent with the social norms of the 1925 era.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 20 portray gender?

Fair

Women are shown working in community and business settings, indicating their functional roles. However, the footage reflects traditional gender roles without challenging the existing social hierarchy.

How racially and ethnically diverse is Rev. S.S. Jones Home Movie: Yale Collection Film 20?

Excellent

This documentary offers a unique perspective on Black institutional life and autonomy, focusing on Black-owned schools and businesses in places like Boley and Tulsa. It challenges the predominantly white historical narratives.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 20 represent religion and culture?

Good

The film highlights Black self-sufficiency and community organization, serving as a counter-narrative to the erasure of non-white institutions in historical records.

Does Rev. S.S. Jones Home Movie: Yale Collection Film 20 include disability representation?

Minimal

There is insufficient evidence to assess the representation of visible or invisible disabilities. The archival nature of the footage lacks specific descriptive detail regarding individual subjects.

Present on Screen

Documents Black-owned businesses and schools exceptionally well.
Provides a rare, high-control look at Black institutional life during the Jim Crow era.
Serves as a vital counter-narrative to white-centric historical records.

Limited or Absent