The film focuses on the long-standing romantic history between Frida and Stéphane. It operates within traditional heteronormative frameworks, offering no explicit evidence of queer narratives or non-cisnormative identities.

Anne is positioned as a driver of her own trajectory rather than a passive caretaker. However, the central tension remains heavily influenced by Stéphane's desires, which limits her total autonomy.

The story highlights the Estonian diaspora in Paris, emphasizing the outsider status of the protagonist. While the cast is largely ethnically homogeneous, it provides a nuanced look at migrant identity.

The film avoids idealized depictions of home or family. Instead, it portrays the domestic sphere as a site of conflict and critiques the psychological burdens placed upon caregivers.

Representation centers on the vulnerabilities of aging and elderhood. Frida is portrayed as a complex figure of emotional labor rather than a saintly or purely tragic character.