
The Last Exploits of the Olsen Gang
1974

Representation Score
Limited
1981
Not RatedDirector
Erik Balling
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Olsen Gang Jumps the Fence is a comedy that focuses on class-based satire rather than diverse social identities. It primarily critiques systemic absurdities rather than representing various social identities. While the film lacks diversity in terms of race, gender, and orientation, it excels in its critique of bureaucratic and capitalist structures. The film reflects the social norms of early 1980s Denmark, providing a focused view on social class and institutional skepticism.
Category Breakdown
The film follows traditional structures that assume everyone is straight or cisgender. There are no characters with non-binary gender identities or same-sex relationships.
Men play the central roles in driving the plot. Women mostly have supporting roles and are often portrayed as domestic figures rather than active participants.
The cast is mainly white, reflecting the demographics of early 1980s Denmark. The film depicts Copenhagen with a focus on cultural uniformity.
The film uses a 'lovable rogue' character to criticize capitalist systems and rigid bureaucracy. It provides a satirical look at Western institutions.
There are no significant portrayals of physical or neurodivergent disabilities. Characters are defined by their socioeconomic status and criminal backgrounds.
Present on Screen
Limited or Absent
Official Synopsis
As usual, Egon has an ingenious plan. And, as usual, it works just fine until one of the gang members makes some kind of funny error. This time, however, even Egon's life is in danger, for some international criminals try to get rid of him by throwing him into a container filled with acid.

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