The film lacks explicit LGBTQ+ identities or non-cisnormative romantic narratives. Instead, the story focuses on matrilineal bonds and the fluidity of memory rather than sexual orientation.

This is a profoundly female-driven narrative that elevates the agency of the director, her mother, and her grandmother. It subverts masculine-led historical accounts by prioritizing female intellect and emotional labor.

The film examines Brazilian social stratification and class tensions through a post-colonial lens. It uses the wounds of the dictatorship to address the systemic marginalization of diverse populations.

The narrative offers a sophisticated critique of neoliberalism and the rising influence of religious institutions. It challenges Western hierarchies by framing political shifts as systemic traumas.

There are no central characters with visible or invisible disabilities. While the film explores collective psychological trauma from the dictatorship, it does not focus on specific disability representation.