
Babel: A Letter to My Friends Left Behind in Belgium
1991

Representation Score
Fair
2005
Director
Boris Lehman
Runtime
165 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Boris Lehman’s experimental documentary explores the mechanics of representation through a longitudinal portrait of the self. Using a collage-like structure of letters and investigations, the film treats identity as a fluid, ongoing process rather than a fixed biographical fact. The work excels in its intellectual engagement with subjectivity, moving away from rigid, institutionalized definitions of identity. It uses the camera as a mirror to challenge how individuals perceive themselves versus how they are perceived by others. However, the film's highly personal focus limits its demographic breadth. It lacks the diverse ensemble or broad social representation found in more expansive narratives.
Category Breakdown
The film presents a personal portrait that might align with exploring fluid identities. However, it does not explicitly depict queer identities or relationships that don't conform to traditional gender norms.
The film focuses on the camera's perspective rather than traditional gender hierarchies. There is no clear indication of actively challenging traditional notions of masculinity or femininity.
The film centers on the director's individual experience and lacks details about a diverse cast or broader cultural context.
The film prioritizes personal truth over institutional realities through its collage-like structure. It emphasizes internal subjectivity and questions traditional documentary truth.
There is no evidence within the film to suggest characters dealing with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

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