
París-Tombuctú
1999

1970
Director
Henri Colpi
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
For 25 years now, under the Provence sun, Antonin, a farmhand, has shared his work and everyday life with a horse named Ulysse. What a shock when Pascal, the farmer, tells him he has decided to sell Ulysse to a picador for being too old. Not only will he be separated from his faithful companion, but he is well aware too that the arenas of Arles mean death for Ulysse. Being unable to stand such injustice, Antonin runs away from the farm in the company of Ulysse. Together, they go through the Lubéron, the Baux de Provence, the Alpilles, the Crau and the Vaccarès. Yet, their journey is no pleasure cruise, specially when it comes to crossing National Road 7. After a visit to Marcellin, an old friend of his, Antonin sets off again with Ulysse, this time towards the Rhône River.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film centers on the bond between a man and his horse. There are no depictions of non-cisnormative identities or narratives addressing heteronormativity.
Gender Representation
The story follows a traditional framework driven by the male protagonist. It does not actively seek to subvert gender hierarchies or deconstruct traditional masculinity.
Racial & Ethnic Diversity
Set in rural 1970s Provence, the cast and setting appear largely homogeneous. The film reflects the specific demographic reality of its geographic and temporal context.
Religious & Cultural Diversity
The narrative offers a subtle critique of capitalism by rejecting the commodification of living beings. It explores humanistic themes of companionship and survival.
Disability Representation
There are no documented instances of characters with visible or invisible disabilities. No such characters are used as narrative devices.
Strengths
Areas for Improvement
AI Analysis
The film is a poetic, character-driven study of companionship and individual morality. It prioritizes an emotional journey between Antonin and Ulysse over the exploration of intersectional identities or systemic social critiques. While the story challenges the concept of property and ownership, it does so through a personal lens rather than through identity politics. The film remains a traditional piece of European cinema that reflects the social homogeneity of its setting.

1999

1961

2009

1957

1984

1950

2020

1981

1960

2013

1976

1985
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.