
Anna
2009

Representation Score
Fair
2021
Director
Tea Lindeburg
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
As in Heaven is a period drama that uses a minimalist aesthetic to critique the rigid patriarchal structures of the 1800s. It centers on a young female protagonist's struggle against systemic hardship and forced maturity. The film's strength lies in its sophisticated gender politics and its refusal to romanticize historical domesticity. It effectively deconstructs the idealized family unit, presenting it as a source of overwhelming responsibility. However, the film's commitment to historical realism results in a lack of diverse representation regarding race or LGBTQ+ identities.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-straight identities. Instead, it focuses on the immediate family and biological connections of the main character.
Lise's forced transformation into the 'woman of the house' role challenges traditional gender roles. The story highlights the heavy burden of patriarchal household expectations and the absence of male protection.
The casting reflects the ethnic uniformity of late 19th-century rural Denmark. The film opts for a realistic portrayal of a specific ethnic community rather than a diverse cast.
The film critiques traditional Western institutions, depicting family and religious structures as sources of hardship. It explores survival through moral relativism and societal pressures.
There is no direct focus on specific disabilities. However, the film examines physical vulnerability and the trauma of childbirth, emphasizing the fragility of the human body.
Present on Screen
Limited or Absent
Official Synopsis
One day at the end of the 1800s, 14-year-old Lise’s life is changed forever. She is the eldest of her siblings, the first in her family to go to school and full of hope and confidence in life. But when her mother goes into labour, it quickly appears that something is wrong. As night falls and the labour progresses, Lise begins to understand that a day that began in childhood might end with her becoming the woman of the house.

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