
Pretty Far from Okay
2017

2019
Director
Aniëlle Webster
Average Rating
No ratings yetSynopsis
Three women struggle, cursing, laughing and telling each other the truth. Each with their own phase of motherhood and its effect on their lives.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The narrative focuses on shared female experiences without explicit mention of queer identities or non-heteronormative romances. It maintains a neutral baseline centered on gendered life stages.
Gender Representation
The film centers female agency by portraying women who are vocal, honest, and complex. It avoids idealized feminine tropes, making their emotional and intellectual struggles the primary driver of the plot.
Racial & Ethnic Diversity
There is no evidence of a non-white majority cast or intentional racial blending. The representation appears to align with traditional demographic expectations for this specific genre and region.
Religious & Cultural Diversity
The story critiques traditional domesticity by highlighting the friction and systemic pressures of motherhood. It prioritizes realistic emotional truths over the promotion of idealized nuclear family values.
Disability Representation
The provided context contains no evidence regarding the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Huisvrouwen bestaan niet 2 succeeds as a character study that disrupts traditional gender hierarchies. By centering on the unfiltered realities of motherhood, it deconstructs the myth of a seamless domestic life and prioritizes female agency. However, the film lacks significant intersectional depth. There is no evidence of LGBTQ+ representation or racial diversity, which limits the scope of its social commentary to a more narrow demographic lens. Ultimately, the film is a focused exploration of womanhood. It effectively challenges conventional maternal roles, even if it remains within traditional racial and sexual orientation frameworks.

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