The film follows a conventional heteronormative structure. It focuses on a nuclear family unit and standard romantic pairings without queer subtext.

Female characters like Paulina and Lorena are central to the plot. However, their agency is often tied to domestic roles or familial stability.

As a Mexican production, the film offers a non-Anglo-Saxon perspective. It utilizes a localized lens through its setting and social interactions.

The story explores tension between modern secularism and historical religious trauma. It frames historical religious institutions as agents of violence.

There is no evidence of characters with disabilities being portrayed with agency. The horror focuses on supernatural possession instead.