The Matches of a Beautiful Dragoon
1971
No user ratings available yet
Diversity score: 3.7 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
The Cupboard Was Bare
1948
Director
Carlo Rim
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
The aunt of Alfred Puc, a meek tax-collector in Paris, dies while riding in a moving van. The driver, not wishing to be bothered by a police interrogation, hides her corpse in a cupboard before notifying Alfred. But the van is stolen. Alfred, being the heir of a rich lady, begins a frantic search to locate the missing van and the cupboard because one can't claim an inheritance if there is no 'corpus delecti.' In his search, he gets caught up in an underworld web and finds the body of a murdered gangster in his room. He finally locates the cupboard but promptly loses it again. But, wait, it isn't "finis' time, yet.
Where to Watch
Diversity & Representation
Overall Score
3.6/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of non-cisnormative identities or same-sex intimacy. The narrative focuses on the chaotic circumstances of a death and an inheritance.
Gender Representation
The story centers on Alfred Puc, a meek male protagonist. While a female relative's death drives the plot, agency remains concentrated in the male lead's frantic search.
Racial & Ethnic Diversity
Set in post-war Paris, the film operates within the conventional demographic constraints of its era. The narrative appears localized to a specific, homogeneous Parisian social strata.
Religious & Cultural Diversity
The comedy relies on the absurdity of legalistic requirements like the corpus delecti. It uses Western institutions as a comedic engine rather than critiquing them systemically.
Disability Representation
There is no mention of characters with visible or invisible disabilities within the narrative.
Strengths
- The protagonist offers a slight subversion of hyper-masculine tropes by being depicted as a meek tax-collector.
Areas for Improvement
- The film lacks visible representation of LGBTQ+ identities or non-cisnormative characters.
- The setting and cast appear to follow a traditional, homogeneous demographic pattern.
- Narrative agency is heavily concentrated in the male protagonist, limiting female character impact.
AI Analysis
The film is a mid-20th-century French comedy that prioritizes situational absurdity over social deconstruction. It adheres to the traditional demographic and social structures typical of 1948 cinema. Representation is limited by the era's focus on a localized Parisian setting and a male-centric plot. The narrative lacks intentionality regarding intersectional identities or diverse casting. Ultimately, the film functions as a whimsical crime comedy where the plot is driven by accidental involvement in the underworld rather than a pursuit of diverse perspectives.
Similar Movies
Mr. Gregoire Runs Away
1946
No user ratings available yet
Diversity score: 3.2 out of 10
Dissolved and Effused
1985
No user ratings available yet
Diversity score: 3.8 out of 10
Il commissario Lo Gatto
1986
No user ratings available yet
Diversity score: 3.2 out of 10
It's Murder!
1977
No user ratings available yet
Diversity score: 3.6 out of 10
Max der Taschendieb
1962
No user ratings available yet
Diversity score: 3.2 out of 10
The Sucker
1965
No user ratings available yet
Diversity score: 2.8 out of 10
I Didn't Do It
1945
No user ratings available yet
Diversity score: 2.4 out of 10
Be Beautiful and Shut Up
1958
No user ratings available yet
Diversity score: 2.8 out of 10
Umbrella Coup
1980
No user ratings available yet
Diversity score: 2.8 out of 10
Crime at Porta Romana
1980
No user ratings available yet
Diversity score: 3.2 out of 10
Three Eggs in a Glass
1937
No user ratings available yet
Diversity score: 3.6 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.