
Max der Taschendieb
1962

Representation Score
Limited
1948
ApprovedDirector
Carlo Rim
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This mid-20th-century French comedy emphasizes situational absurdity over social deconstruction. It adheres to traditional demographic and social structures typical of 1948 cinema. Representation is limited by the era's focus on a localized Parisian setting and a male-centric plot. The narrative does not intentionally explore diverse identities or casting. Ultimately, the film serves as a whimsical crime comedy where the plot is driven by accidental involvement in the underworld.
Category Breakdown
The film does not explicitly show non-binary or same-sex relationships. The story revolves around a death and an inheritance.
The story centers on Alfred Puc, a meek male protagonist. His frantic search for answers drives the plot, even though a female relative's death is the catalyst.
Set in post-war Paris, the film focuses on a specific, homogeneous social strata. The narrative seems confined to a particular demographic.
The comedy relies on the absurdity of legalistic requirements like the corpus delecti. It uses Western institutions as a comedic engine without systemic critique.
There are no characters with visible or invisible disabilities mentioned in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
The aunt of Alfred Puc, a meek tax-collector in Paris, dies while riding in a moving van. The driver, not wishing to be bothered by a police interrogation, hides her corpse in a cupboard before notifying Alfred. But the van is stolen. Alfred, being the heir of a rich lady, begins a frantic search to locate the missing van and the cupboard because one can't claim an inheritance if there is no 'corpus delecti.' In his search, he gets caught up in an underworld web and finds the body of a murdered gangster in his room. He finally locates the cupboard but promptly loses it again. But, wait, it isn't "finis' time, yet.

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