New Showbiz

You are here:
Don't Blame Karma on What Happens to You for Being an Asshole

Don't Blame Karma on What Happens to You for Being an Asshole

2016

R

Director

María Ripoll

Runtime

98 minutes

Average Rating

No ratings yet

Synopsis

The lives of a Madrid-based feather-fashion designer and her whole family's completely tumbles after the appearance of a musician long-lost high school crush who is involved with her model sister.

Where to Watch

Diversity & Representation

Overall Score

4.5/10

Fair


Category Breakdown

LGBTQ+ Representation

Limited

The film follows traditional romantic comedy structures centered on heteronormative entanglements. There is no evidence of non-cisnormative identities or narratives that challenge standard romantic tropes.

Gender Representation

Fair

The story centers on a female protagonist navigating professional and romantic upheaval. It emphasizes her internal journey and agency rather than treating her as a passive character.

Racial & Ethnic Diversity

Fair

Set in Madrid and coastal Spain, the film focuses on a specific, localized social circle. It avoids harmful stereotypes but lacks visible intersectional or diverse ethnic casting.

Religious & Cultural Diversity

Fair

The narrative operates within a secular, modern Spanish context. It prioritizes individual emotional truth and personal karma over religious morality or institutional frameworks.

Disability Representation

Minimal

There is no discernible evidence regarding the inclusion of characters with physical or neurodivergent disabilities.

Strengths

  • The film provides meaningful female agency by centering the narrative on a woman's professional and romantic journey.
  • It avoids reinforcing harmful racial stereotypes within its localized Spanish setting.
  • The story prioritizes individual emotional truth over rigid religious or traditional moral frameworks.

Areas for Improvement

  • The narrative lacks intersectional complexity and diverse ethnic representation.
  • The plot adheres to traditional heteronormative romantic comedy structures.
  • There is no visible representation of characters with physical or neurodivergent disabilities.

AI Analysis

This romantic comedy functions as a standard genre piece, prioritizing interpersonal dynamics and character-driven humor over systemic social critique. While it avoids heavy-handed moralizing, it stays within conventional narrative boundaries. The film succeeds in providing a central female perspective, allowing the protagonist to drive her own emotional arc. However, the lack of intersectional complexity or diverse representation keeps the scope relatively narrow. Ultimately, the film reflects a localized Spanish social strata, focusing on individual agency within a familiar, heteronormative framework rather than disrupting established social hierarchies.

How are these scores produced? →

Similar Movies

Movie poster for I Wanted to Find You

I Wanted to Find You

2018

No user ratings available yet
Diversity score: 4.2 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.