The film operates within a traditional masculine framework typical of the caper genre. There is no evidence of LGBTQ+ characters or narratives that engage with non-cisnormative identities.

Agency is almost exclusively vested in male characters like Haider and Nicholas. The lack of significant female roles results in a failure to provide gender-based nuance or subversion.

The film demonstrates high cultural authenticity by utilizing a primarily Indian cast. This aligns with the Mumbai setting and avoids Western-centric casting norms.

The narrative centers on greed and the mechanics of a heist. It does not provide significant evidence of critiques of Western institutions or specific religious dogmas.

There is no discernible evidence of characters with visible or invisible disabilities. The narrative does not utilize disability as a central theme.