New Showbiz

You are here:
Me, Myself and My Dead Wife

Me, Myself and My Dead Wife

2019

Director

Santi Amodeo

Runtime

97 minutes

Average Rating

No ratings yet

Synopsis

Bernardo is a renowned architect and professor at the University of Buenos Aires. He just buried his wife, refusing to fulfill her desire to be cremated and her ashes scattered into “Costa del Sol”. Only when his wife’s grave is desecrated, he decides to take the trip to Spain. With Abel, owner of a bankrupt real estate business, and Amalia, a beautiful public relations employee, Bernardo will be involved in absurd situations to get rid of the ashes of his wife. Bernardo will discover that he didn’t know his wife as much as he imagined.

Where to Watch

Diversity & Representation

Overall Score

5.0/10

Fair

Category Breakdown

LGBTQ+ Representation

Fair

The story centers on a traditional marital bond and lacks explicit LGBTQ+ characters. The narrative focus remains within a heteronormative framework, even as the protagonist discovers his wife's hidden life.

Gender Representation

Fair

The deceased wife exerts significant posthumous agency by asserting her final wishes against her husband. This subverts the trope of the passive female figure, making her desires the primary plot driver.

Racial & Ethnic Diversity

Fair

Set across Spain and Argentina, the film focuses on socioeconomic class dynamics. There is no specific evidence of intentional racial diversity or non-Anglo-Saxon majority casting provided.

Religious & Cultural Diversity

Fair

The plot explores the tension between traditional funerary rituals and individualistic, secular desires. It critiques rigid social perceptions through the protagonist's journey toward moral relativism.

Disability Representation

Minimal

There is no mention of characters navigating physical, neurodivergent, or mental health disabilities within the narrative.

Strengths

  • The female lead exerts posthumous agency, driving the plot through her asserted wishes.
  • The narrative effectively challenges the protagonist's rigid perceptions and traditional worldview.
  • The film explores complex themes regarding individual autonomy versus social funerary traditions.

Areas for Improvement

  • The story lacks explicit LGBTQ+ representation or critiques of heteronormativity.
  • There is no discernible representation of characters with physical or mental disabilities.
  • The narrative lacks a broad spectrum of intersectional identity-based complexity.

AI Analysis

The film serves as a character study exploring the friction between individual autonomy and established social traditions. It succeeds in using the wife's posthumous influence to disrupt the protagonist's worldview and challenge traditional gender roles. However, the work lacks intersectional depth. The narrative remains largely confined to a heteronormative romantic structure and does not provide a broad spectrum of identity-based representation. While the film engages with cultural themes regarding mourning and morality, it does not demonstrate a commitment to diverse racial or disability-based storytelling.

How are these scores produced? →

Similar Movies

Movie poster for One Week and a Day

One Week and a Day

2016

No user ratings available yet
Diversity score: 5.5 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.