The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The focus on a non-human protagonist suggests a preoccupation with existentialism rather than identity-based social dynamics.

The narrative centers on a struggle for survival and escape. Without data on human characters or the subversion of traditional hierarchies, the film maintains a standard baseline for gender representation.

As a South Korean production, the film operates outside Anglo-Saxon cinematic hegemony. The use of non-human species may serve as a metaphor for broader social or systemic pressures.

The film critiques consumption and systemic predation through the lens of a fish escaping a restaurant tank. This thematic focus challenges established structures and the natural order.

There is no evidence suggesting the inclusion of characters with physical, sensory, or neurodivergent disabilities.