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Good Girls Go to Paris

Name: Good Girls Go to Paris
Director: Alexander Hall
Released: 1939
Duration: 75 min

Representation Score

1.8/10

Minimal

1939

Director

Alexander Hall

Runtime

75 minutes

Average Rating

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New Showbiz Analysis

Good Girls Go to Paris is a traditional period comedy that upholds the social and gender hierarchies of its time. The story centers on personal ambition within established Western class structures rather than challenging them. The film lacks complexity in how it portrays different aspects of identity. It relies on conventional storylines, such as a female lead achieving her dreams through male guidance, which limits its potential for promoting diversity. Overall, the movie serves as a reflection of 1930s Hollywood, emphasizing romantic resolutions and standard social hierarchies rather than critiquing societal structures or showcasing diverse representation.

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Category Breakdown

Does Good Girls Go to Paris have LGBTQ+ representation?

Minimal

The film doesn't include any LGBTQ+ characters or stories that challenge the idea that everyone is straight. It follows the typical love story path of the 1930s, focusing on traditional dating customs.

How does Good Girls Go to Paris portray gender?

Fair

Jenny Swanson aims for social advancement, but her progress depends on a male authority figure. This setup highlights the gender roles common during that time.

How racially and ethnically diverse is Good Girls Go to Paris?

Limited

The story focuses on white-centered social circles within a Western context. There's no indication of a diverse cast, reflecting the uniform casting practices of the 1930s.

How does Good Girls Go to Paris represent religion and culture?

Limited

The plot emphasizes Western social structures and class differences. It focuses on moving from working-class roles to more refined, upper-class positions.

Does Good Girls Go to Paris include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the film's story.

Present on Screen

The film offers a straightforward storyline focused on personal aspirations and the pursuit of a more refined lifestyle.

Limited or Absent

The story relies on traditional gender roles and male support for the female protagonist's goals.
The narrative lacks racial and LGBTQ+ diversity, sticking to the homogeneous casting practices of the era.
The plot reinforces existing class hierarchies instead of providing a critique of social structures.

Official Synopsis

Jenny Swanson, a waitress on a college campus, is dying to visit Paris. Thanks to English professor Ronald Brooke, she manages to make her dream come true. Besides seeing the sights in the French capital she makes friends with a wealthy family there, the Brands.

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