The film lacks explicit depictions of non-cisnormative identities or same-sex intimacy. While it avoids traditional heteronormative romantic structures, there is no specific narrative agency for LGBTQ+ individuals.

The narrative disrupts conventional gender hierarchies by eschewing traditional domestic roles and the hero's journey. However, the score is limited by a lack of sustained female character arcs.

The film utilizes news broadcasts to reflect a fragmented, globalized reality. It offers moderate inclusion of diverse perspectives through media consumption rather than through a diverse cast of characters.

Godard provides a profound anti-capitalist critique of Western institutional stability. The film explores how media conglomerates commodify information and reshape political reality through a skeptical, postmodern lens.

There is no significant focus on characters with physical or neurodivergent disabilities. The film's preoccupation with human fragmentation remains a philosophical concept rather than a direct representation.