The film lacks LGBTQ+ characters or non-cisnormative identities. It adheres to standard exploitation frameworks that typically offer no queer visibility.

Female characters are positioned primarily as victims of violence. The narrative reinforces conventional hierarchies by using women as objects for the antagonist's ritualistic actions.

The film uses Egyptian mythology for horror aesthetics rather than diverse storytelling. There is no evidence of significant racial blending or characters of color with agency.

The story focuses on splatter aesthetics and shock value rather than social critique. It uses cannibalism as a genre element instead of deconstructing social norms.

There is no evidence of characters with disabilities portrayed with agency. Physical vulnerability serves as a plot device for horror rather than a nuanced exploration.