
Helicopter Canada
1966

Representation Score
Minimal
1983
Director
Bert Haanstra
Runtime
15 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bert Haanstra’s documentary serves as a visual celebration of the Netherlands, highlighting its beauty and modernity. The film’s aerial perspective emphasizes landscapes and architecture over individual stories. As a result, the film prioritizes national aesthetics and social stability over diverse personal experiences. Consequently, it lacks meaningful representation of LGBTQ+ identities, disability, or racial diversity, focusing instead on the collective societal structure and historical customs.
Category Breakdown
The film focuses on showcasing the Dutch landscape and architecture, lacking detailed depictions of LGBTQ+ individuals and their relationships.
The representation of gender in the film is passive, emphasizing national identity over gendered power dynamics. There is no focus on characters who challenge traditional gender roles.
The film predominantly depicts a homogeneous Dutch population, with no apparent effort to blend or highlight racial diversity.
The documentary celebrates the Dutch state and its customs, presenting a cohesive and positive image of national heritage and traditions.
Due to its focus on aerial views and landscapes, the film does not include narratives about individuals with physical or cognitive disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Bert Haanstra was commissioned by the Ministry of Foreign Affairs to make a short film about his own country. It had to be a piece of the work that mainly would be shown abroad, so that the rest of the world could make acquaintance with the beautiful countryside, with the modern side of the Dutch society and with historic building and old customs. After everything he had already made about these subjects, Haanstra was able to find a new angle, this time by observing the matter from the air. The result is a pretty mosaic of The Netherlands like it looked in the early eighties.

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