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Dead of Night: A Darkness at Blaisedon

Name: Dead of Night: A Darkness at Blaisedon
Director: Lela Swift
Released: 1969
Duration: 52 min

Representation Score

4.6/10

Fair

1969

Director

Lela Swift

Runtime

52 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Dead of Night: A Darkness at Blaisedon stands out for its era due to Lela Swift's direction. As a female director in the late 1960s horror scene, her involvement provides a unique perspective in a male-dominated field. The film includes the character Sajeed Rau, which adds racial diversity for the period. This inclusion challenges the typical homogenous casting in period horror films. While the film centers on a female-driven storyline, it remains firmly rooted in traditional Western Gothic clichés. It lacks significant representation in LGBTQ+ and disability categories.

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Category Breakdown

Does Dead of Night: A Darkness at Blaisedon have LGBTQ+ representation?

Limited

The film doesn't include any explicit LGBTQ+ characters or storylines. The plot follows a standard investigation without any hints of queer identities or non-straight relationships.

How does Dead of Night: A Darkness at Blaisedon portray gender?

Fair

A female protagonist drives the plot forward through her connection to the mansion. This shifts the focus away from male characters to a woman's personal motivations.

How racially and ethnically diverse is Dead of Night: A Darkness at Blaisedon?

Good

The inclusion of an assistant named Sajeed Rau adds diversity to the cast for 1969. This non-Anglo-Saxon presence indicates a more integrated cast compared to typical horror films of the time.

How does Dead of Night: A Darkness at Blaisedon represent religion and culture?

Fair

The story draws from Western Gothic traditions using the haunted mansion cliché. It centers on family history and property within traditional supernatural narratives.

Does Dead of Night: A Darkness at Blaisedon include disability representation?

Minimal

The film does not feature any characters dealing with physical or neurodivergent disabilities.

Present on Screen

Lela Swift's direction offers a rare female perspective in 1960s horror.
The inclusion of Sajeed Rau provides notable racial diversity for the period.
The female protagonist acts as the primary driver of the plot.

Limited or Absent

The narrative lacks explicit LGBTQ+ representation or queer coding.
There is no visible representation of physical or neurodivergent disabilities.
The story relies heavily on conventional Western Gothic clichés.

Official Synopsis

Investigator Jonathon Fletcher and his assistant Sajeed Rau investigate an apparently haunted mansion at the request of the woman who has inherited it.

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