
I Used to Be Normal: A Boyband Fangirl Story
2018

2017
Director
Adam Goodall
Runtime
61 minutes
Average Rating
No ratings yetSynopsis
Follow Little Mix through their Glory Days era and see the positives and negatives of being the world’s biggest girl band.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on the professional and personal lives of the four members. It offers a platform for their individual identities but lacks explicit queer narratives or critiques of heteronormativity.
Gender Representation
The documentary provides significant agency to female performers. It explores their creative input and resilience, effectively disrupting male-dominated industry hierarchies by centering female empowerment.
Racial & Ethnic Diversity
The cast reflects the group's diverse modern pop aesthetic. However, the narrative functions as a biography rather than an exploration of intersectional racial dynamics or systemic critique.
Religious & Cultural Diversity
The film examines the pressures of fame and celebrity culture. It focuses more on the artists' personal successes than on adopting a specific political or anti-Western stance.
Disability Representation
There is no evidence regarding the depiction of visible or invisible disabilities within the documentary.
Strengths
Areas for Improvement
AI Analysis
Little Mix: Glory Days - The Documentary succeeds as a character study of female agency. By documenting the group's navigation of the music industry, the film highlights the complexities of womanhood and professional resilience in a commercial landscape. While the film excels in gender representation, it remains a standard mainstream music documentary. It lacks deep engagement with queer narratives or systemic racial critiques, focusing instead on the biographical trajectories of the performers. The documentary functions primarily as a celebration of professional achievement. It provides a meaningful look at female leadership but does not attempt a radical deconstruction of social or cultural institutions.

2018

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