
The Ides of March
2011

Representation Score
Limited
1998
RDirector
Mike Nichols
Runtime
143 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Primary Colors is a sophisticated critique of institutional power that prioritizes thematic depth over demographic diversity. While the film excels at exposing the moral facade of Western political structures, it falls short in providing a broad range of identities. The narrative is centered on a predominantly white, straight, and cisgender elite, resulting in a homogeneous environment that reflects a specific era of American political power. The film's strength lies in its postmodern view of morality rather than its inclusivity.
Category Breakdown
The film focuses on straight and cisgender relationships, with no representation of LGBTQ+ identities or challenges to the assumption that everyone is straight.
Female characters like Susan Stanton show strong ambition and intellect. However, the story is still centered around a patriarchal structure where women's roles are often defined in relation to the male lead.
The cast is primarily white, reflecting the homogeneity of the political elite from the 1990s. The film lacks diverse ethnic representation and does not explore multiple racial backgrounds.
The film presents a cynical view of Western political institutions, showing how situational ethics can override traditional religious or family morals.
There are no significant representations of visible or invisible disabilities among the main characters.
Present on Screen
Limited or Absent
Official Synopsis
In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

2011

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