The film lacks explicit mention of LGBTQ+ characters or themes. The narrative focuses strictly on Al Capone’s criminal and philanthropic biography without exploring queer identities.

The documentary centers on masculine leadership and the patriarchal structures of the early 20th-century underworld. There is no indication of female agency or the subversion of gender hierarchies.

The film highlights Capone’s patronage of African American jazz musicians during an era of segregation. This inclusion provides a nuanced look at racial intersectionality within the Prohibition era.

By framing Capone as a complicated anti-hero, the film challenges absolute moral binaries. However, it remains rooted in traditional American mythologies of the self-made man.

There is no mention of characters or historical figures portrayed with physical, neurodivergent, or mental health disabilities.