
We Are Not Done Yet
2018

2023
Director
Pete Tolton
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or narratives. The story focuses on father-son dynamics and interactions with indigenous tribes rather than non-heteronormative identities.
Gender Representation
The narrative centers on traditional masculine archetypes like the warrior and father. It explores male vulnerability through PTSD but does not actively deconstruct gender hierarchies.
Racial & Ethnic Diversity
Meaningful engagement occurs through the protagonist's reconnection with mountain tribespeople in Vietnam. This inclusion provides a nuanced, non-Western perspective within the healing journey.
Religious & Cultural Diversity
The film explores personal spirituality and subjective morality rather than dogmatic belief. While it includes indigenous voices, the framework remains rooted in a Western veteran's experience.
Disability Representation
The film excels by centering the narrative on PTSD. It treats mental health as a driving force for character growth rather than a mere plot device.
Strengths
Areas for Improvement
AI Analysis
Return offers a nuanced look at the psychological aftermath of war, specifically through the lens of mental health and cross-cultural reconnection. The film moves beyond a standard military biography by integrating the perspectives of indigenous tribespeople in Vietnam. However, the film operates within traditional social frameworks. The focus on masculine archetypes and the absence of LGBTQ+ narratives limit its broader social impact. It is a deeply personal study of trauma rather than a systemic critique of identity. Ultimately, the documentary's strength lies in its empathetic portrayal of PTSD and its willingness to engage with non-Western cultures during the protagonist's restorative journey.

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