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Don't Be a Dick About It

Don't Be a Dick About It

2018

Director

Ben Mullinkosson

Runtime

69 minutes

Average Rating

No ratings yet

Synopsis

A hilarious and beautiful portrait of two brothers growing up. The film follows the brothers around for one summer capturing the nuances of pissing each other off.

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Diversity & Representation

Overall Score

1.9/10

Minimal

Category Breakdown

LGBTQ+ Representation

Minimal

The film focuses exclusively on the relationship between two brothers. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.

Gender Representation

Fair

The documentary explores male interpersonal dynamics. It humanizes the subjects through vulnerability and domestic friction rather than relying on stoic patriarchal archetypes.

Racial & Ethnic Diversity

Minimal

The film lacks specific details regarding the racial or ethnic composition of the subjects. There is no evidence of intersectional casting or a non-Anglo-Saxon majority.

Religious & Cultural Diversity

Fair

The narrative depicts a traditional sibling unit. It avoids idealized family tropes by focusing on the realistic nuances of sibling rivalry and domestic friction.

Disability Representation

Minimal

There is no evidence within the film to suggest the inclusion of characters with visible or invisible disabilities.

Strengths

  • Humanizes male subjects through vulnerability and domestic friction.
  • Avoids the pitfall of presenting an idealized or inherently positive family trope.

Areas for Improvement

  • Lacks intersectional casting and diverse representation of identities.
  • Does not engage with systemic critiques or broader sociopolitical narratives.

AI Analysis

Don't Be a Dick About It is a localized, observational study of siblinghood. It prioritizes domestic realism and the micro-level nuances of interpersonal relationships over broader sociopolitical themes. The film succeeds in humanizing its subjects by avoiding idealized family portrayals. By focusing on the friction of growing up, it moves away from traditional, polished archetypes of masculinity. However, the work lacks structural complexity and intersectional casting. It functions as a niche character study rather than a vehicle for systemic critique or the disruption of social norms.

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