The film contains no discernible LGBTQ+ characters or narratives. It focuses entirely on heteronormative survival archetypes without exploring queer identities.

Marybeth provides a central figure of agency through the 'Final Girl' trope. However, the film relies on traditional archetypes where women are targets and men are defined by physical confrontation.

The cast is predominantly homogeneous and lacks intersectional casting. While set in a culturally rich Louisiana swamp, the film ignores the location's racial complexity in favor of atmosphere.

Voodoo elements are used strictly as a standard horror device to drive the curse. The film avoids nuanced explorations of spiritual identity or cultural history.

There is no meaningful portrayal of visible or invisible disabilities. Characters are defined solely by their physical utility within a survival context.