
The Goddess of Fortune
2019

2015
Director
William Sullivan
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
Three twenty-something couples, one gay, one lesbian, and one straight, travel to a beach house to enjoy the last days of summer, but what should be a fun and carefree weekend becomes an exploration of what it takes to sustain a healthy relationship.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film integrates queer identities into its core social fabric rather than treating them as peripheral plot devices. By giving a gay couple and a lesbian couple equal weight to a straight couple, it challenges heteronormative hierarchies.
Gender Representation
The narrative explores the friction in modern gender dynamics by moving away from idealized romantic archetypes. It portrays gendered interactions as sites of emotional volatility and negotiation within intimate partnerships.
Racial & Ethnic Diversity
Casting reflects a multi-ethnic urban demographic, avoiding the homogeneity common in romantic dramas. However, the depth of intersectional exploration between race and character arcs remains secondary to the film's broader themes.
Religious & Cultural Diversity
The film prioritizes subjective truth and critiques the performance of social stability. It highlights a postmodern skepticism toward established social norms and traditional decorum through its depiction of interpersonal dysfunction.
Disability Representation
The narrative does not indicate a significant focus on visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
That's Not Us distinguishes itself by placing LGBTQ+ narratives on equal footing with heteronormative ones. This structural choice disrupts traditional romantic tropes and presents diverse orientations as a standard part of the social landscape. The film succeeds in deconstructing the perceived stability of modern connections. It moves away from idealized archetypes to focus on the volatile nature of identity and intimacy. While the film offers a multi-ethnic cast, it lacks deep intersectional exploration of race. The focus remains primarily on existential alienation and the sustainability of relationships.

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