The film lacks any evidence of non-cisnormative gender identities or same-sex intimacy. It adheres to the heteronormative structures of the 19th-century setting.

Central agency is concentrated within male figures like Lincoln and Tad. While Jane Curtin is part of the cast, the film reinforces traditional patriarchal hierarchies.

The narrative centers on a white familial experience within the Lincoln administration. It remains tethered to the historical status quo of the 1860s.

The story prioritizes traditional Western institutions like the presidency and the nuclear family. It aligns with traditionalist historical storytelling rather than subverting Western norms.

There is no documented evidence regarding the inclusion of characters with visible or invisible disabilities.