Bad Lucky Goat
2017
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Diversity score: 3.2 out of 10
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Small Town Wisconsin
2020
Director
Niels Mueller
Runtime
106 minutes
Average Rating
No ratings yetSynopsis
After losing a custody battle, perpetual teenager Wayne Stobierski steals his son away for one last father-son weekend to the city of their dreams - Milwaukee, Wisconsin. What's supposed to be a light-hearted adventure soon transforms into a journey of profound redemption.
Where to Watch
Diversity & Representation
Overall Score
4.2/10
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a paternal relationship and a custody dispute. There is no visible evidence of LGBTQ+ characters or narratives that critique heteronormativity.
Gender Representation
The story centers on a male protagonist and his struggle with fatherhood. While it touches on gendered parental roles through a custody battle, it follows a conventional dramatic structure.
Racial & Ethnic Diversity
The narrative provides no information regarding the racial or ethnic composition of the cast. The regional setting does not inherently guarantee a diverse cast.
Religious & Cultural Diversity
The film explores themes of redemption and shifting family structures. It uses the journey from a small town to a city to highlight tensions between provincial and urban values.
Disability Representation
There is no mention of characters with physical, sensory, or neurodivergent disabilities in the provided context.
Strengths
- Explores complex themes of personal redemption and human relationships.
- Provides psychological depth to its central characters.
Areas for Improvement
- Lacks visible LGBTQ+ representation or non-cisnormative identities.
- Provides no information regarding racial or ethnic diversity within the cast.
- Does not offer evidence of subverting traditional gender hierarchies.
AI Analysis
Small Town Wisconsin is a character-driven drama that prioritizes individual psychological depth over identity politics. The narrative follows a traditional emotional arc centered on a father's journey toward redemption after a custody battle. The film lacks specific evidence of diverse representation across most categories. It appears to function as a standard independent domestic drama, focusing on interpersonal dynamics rather than systemic social critiques. Because the story is anchored in a specific regional journey, the focus remains on the personal relationship between Wayne and his son rather than a broader exploration of diverse social identities.
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