Benyamin the Troublemaker 2
2020
No user ratings available yet
Representation score: 4.8 out of 10
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Benyamin the Troublemaker
Representation Score
3.9/10
Limited
2018
TV-MADirector
Hanung Bramantyo
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Benyamin the Troublemaker is a culturally specific drama that emphasizes ethnic identity and communal ability to act. It successfully grounds its narrative within the unique socioeconomic realities of the Betawi people in Jakarta. However, the film lacks representation of other underrepresented groups such as LGBTQ+ individuals and those with disabilities. The focus remains narrow, centering on a male-driven struggle. Ultimately, the film serves as a localized critique of systemic urban pressures, using a Robin Hood archetype to champion community survival over legalistic hierarchies.
Category Breakdown
Does Benyamin the Troublemaker have LGBTQ+ representation?
The film does not include any characters or narratives related to LGBTQ+ identities. It assumes that all characters are heterosexual and cisgender.
How does Benyamin the Troublemaker portray gender?
The story is centered around three male protagonists. Although the narrative focuses on communal struggle rather than domestic roles, the main ability to act remains with the men.
How racially and ethnically diverse is Benyamin the Troublemaker?
The story is deeply rooted in Betawi subculture. By focusing on this specific ethnic group, the film provides a localized perspective that challenges broader national clichés.
How does Benyamin the Troublemaker represent religion and culture?
The narrative critiques urban gentrification and capitalist expansion. It portrays a struggle to protect local heritage against institutional displacement and illegal gambling interests.
Does Benyamin the Troublemaker include disability representation?
There is no evidence of characters with visible or invisible disabilities being integrated into the story.
Present on Screen
- Strong emphasis on Betawi ethnic identity and subculture.
- Effective portrayal of grassroots resistance against urban displacement.
- Provides high ability to act to a specific, localized ethnic group.
Limited or Absent
- Lack of representation for LGBTQ+ identities.
- Absence of characters with visible or invisible disabilities.
- Heavy reliance on a male-centric protagonist trio.
Official Synopsis
Knowing the headquarter and home of Betawi suburbs will be evicted, Pengki, Somad, and Achie sabotage illegal casinos in Jakarta. They drain all the gambling money to buy the land that will be evicted.
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