
Good Thanks, You?
2020

2022
Director
Alice Winocour
Runtime
103 minutes
Average Rating
No ratings yetSynopsis
Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film operates within a heteronormative framework without centering queer-specific storylines. While it explores unconventional romantic entanglements, there is a lack of explicit LGBTQ+ presence.
Gender Representation
The narrative is driven by female agency, centering Mia's internal landscape and intellectual pursuit of memory. Masculinity is portrayed through emotional vulnerability rather than traditional dominance.
Racial & Ethnic Diversity
A multi-ethnic cast reflects the cosmopolitan reality of Paris. The inclusion of North African heritage in a central role provides a nuanced depiction of urban identity without relying on stereotypes.
Religious & Cultural Diversity
The film explores postmodern themes like moral relativism and the fluidity of connection. It portrays the breakdown of traditional family units as a complex facet of modern existence.
Disability Representation
Mia’s struggle with memory fragmentation is treated with agency rather than passivity. The film focuses on the lived reality of psychological trauma and cognitive recovery.
Strengths
Areas for Improvement
AI Analysis
Alice Winocour’s drama succeeds by prioritizing psychological depth and female subjectivity over traditional narrative structures. The film excels in its portrayal of gender and racial diversity, presenting a cosmopolitan Paris through a multi-ethnic lens and a protagonist driven by her own agency. However, the film remains largely within heteronormative bounds, offering little explicit LGBTQ+ representation. While it handles psychological trauma with sophistication, the narrative's focus on individual emotional truth over institutional or religious structures limits its cultural critique. Ultimately, the film is a nuanced exploration of grief and identity that avoids archetypal tropes in favor of complex, intersectional character studies.

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