
As It Was
2023

Representation Score
Good
2023
Director
Nadia Parfan
Runtime
6 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nadia Parfan’s experimental short is a formalist exercise that replaces traditional character-driven ability to act with sensory-driven environmental ability to act. Using a single, unedited shot, the film mirrors the instability of Kyiv during the 2022 conflict. The work serves as a meditation on the disruption of normalcy. It avoids overt identity-based storytelling, focusing instead on the visceral, high-velocity experience of a state of emergency. While the film lacks specific markers of diversity, its refusal to follow standard dramatic structures provides a non-traditional perspective on contemporary crisis.
Category Breakdown
The film centers on the movement of a vehicle through a city in crisis. There are no specific LGBTQ+ character arcs or romantic subplots.
The subjective camera angle emphasizes the immediacy of the moment rather than gender hierarchies. The narrative maintains a neutral stance without reinforcing or challenging traditional gender roles.
Set in Kyiv, the environment is ethnically uniform. However, it avoids the typical heroic or adversarial racial dynamics found in Western war dramas.
The film depicts the breakdown of urban normalcy and societal structures. It offers a raw view of systemic vulnerability during wartime.
There is no discernible portrayal of physical or neurodivergent identities. The focus remains on the kinetic movement and the psychological impact of the environment.
Present on Screen
Limited or Absent
Official Synopsis
Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this remale of Claude Lelouch's "C'était un rendez-vous" captures the emotions in a state of emergency caused by the war.

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