Angano... Angano... Tales from Madagascar
1989
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Representation score: 6.2 out of 10
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The Creation as We Saw It
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Representation Score
6.0/10
Fair
2012
Director
Ben Rivers
Runtime
14 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ben Rivers' experimental film stands out by centering the mythic oral traditions of Vanuatu. By prioritizing South Pacific cosmologies over Western narrative structures, the work challenges the dominance of mainstream cinematic forms and the colonial gaze. Though the film lacks character-driven markers like LGBTQ+ or disability representation, it excels in its post-colonial narrative architecture. It elevates non-Western epistemologies by allowing indigenous stories to shape the film's spiritual and temporal rhythm. Ultimately, the film critiques traditional observational roles by focusing on the elemental and cyclical nature of creation, moving away from linear, capitalist notions of progress.
Category Breakdown
Does The Creation as We Saw It have LGBTQ+ representation?
The film does not depict specific LGBTQ+ identities or romantic relationships. Its focus on mythic landscapes prevents direct engagement with sexual orientation through character development.
How does The Creation as We Saw It portray gender?
The film avoids traditional gender hierarchies by eliminating the concept of a main character. It sidesteps conventional power dynamics without reinforcing or subverting gender roles.
How racially and ethnically diverse is The Creation as We Saw It?
The film highlights the indigenous mythologies and oral histories of Vanuatu. By emphasizing South Pacific cosmologies, it counters the Eurocentric dominance typically seen in ethnographic films.
How does The Creation as We Saw It represent religion and culture?
The work promotes spiritual pluralism by focusing on mythic origins rather than Western frameworks. It shifts away from colonialist discovery narratives to respectfully engage with indigenous knowledge.
Does The Creation as We Saw It include disability representation?
The film does not depict physical or neurodivergent characters. Its experimental, non-human-centric nature precludes this type of representation.
Present on Screen
- Highlights indigenous mythologies and oral histories from Vanuatu.
- Counters Eurocentric dominance by emphasizing South Pacific cosmologies.
- Challenges Western cinematic norms through a post-colonial narrative structure.
- Promotes spiritual pluralism by focusing on mythic rather than Western religious frameworks.
Limited or Absent
- Lacks specific character-based representation for LGBTQ+ identities.
- Does not depict physical or neurodivergent characters.
- Avoids reinforcing or subverting gendered power dynamics through character development.
Official Synopsis
Three mythical stories from the Republic of Vanuatu, an island nation located in the South Pacific Ocean, concerning the origin of humans, why pigs walk on all fours, and why a volcano sits where it does.
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