
A
1998

Representation Score
Good
2001
Director
Tatsuya Mori
Runtime
131 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A2 provides a nuanced long-term study of a underrepresented community facing extreme societal hostility. It excels by challenging binary moralities and exploring the complexities of radicalized beliefs through an empathetic lens. However, the film's scope is limited by its specific ethnographic focus. Emphasis on male leadership and a homogeneous Japanese cast limits its scores for gender and racial diversity. Ultimately, the documentary's strength lies in its moral relativism and its refusal to offer a simplistic, state-endorsed narrative of the Aum Shinrikyo cult.
Category Breakdown
The film does not prominently feature LGBTQ+ identities or narratives. There is no evidence of non-straight gender identities or same-sex relationships being central to the story.
The story emphasizes male leadership, particularly Hiroshi Araki. Women are present but the overall structure reinforces traditional male-dominated hierarchies.
The subjects are ethnically uniform, focusing on a specific Japanese socio-religious phenomenon. The film does not explore multi-layered racial dynamics or multicultural themes.
The film challenges conventional morality by portraying followers as victims of societal rejection and isolation. It critiques mainstream Japanese society's condemnation and the alienation of individuals.
The film avoids typical physical disability clichés, focusing instead on the psychological and emotional impacts of radicalization. It depicts the mental resilience of those involved.
Present on Screen
Limited or Absent
Official Synopsis
A2 is a continuation of director Tatsuya Mori's film A (1998), an incredible view inside the compound of Japan's Aum Shinrikyo cult after its leaders carried out the deadly sarin gas attacks on the Tokyo subway in 1995. Most followers had no idea that the attacks were being planned, or even that their new religion had violent aspirations. After the attacks, these followers were left to rebuild the religion where they had once found peace in the face of overwhelming, and understandable, condemnation from the rest of Japan. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

1998

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