
The Chinese Widow
2017

2018
Director
Sharon Wilharm
Runtime
83 minutes
Average Rating
No ratings yetSynopsis
Based on real life events, Summer of '67 brings to life the turbulent times of the sixties and the struggles faced by the men and women impacted by the Vietnam War. Young wife and mother Milly (Rachel Schrey) is forced to live with her mother-in-law while her husband Gerald (Cameron Gilliam) is away on the USS Forrestal. Kate (Bethany Davenport) must choose between Peter (Christopher Dalton) her high school sweetheart and Van (Sam Brooks) her new hippie boyfriend. Ruby Mae (Sharonne Lanier) finally finds true love with Reggie (Jerrold Edwards) only to have him whisked away by the draft. Each woman faces the question of whether or not their man will return, and even if he does, will life as they know it ever be the same?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on heterosexual romantic pairings. While the hippie counterculture is present, there is no explicit depiction of same-sex intimacy or non-cisnormative identities.
Gender Representation
The film shifts agency away from soldiers to focus on the women left behind. It prioritizes the psychological autonomy and resilience of the female protagonists.
Racial & Ethnic Diversity
A diverse cast suggests a multi-ethnic portrayal of 1960s America. The inclusion of diverse romantic pairings reflects a more integrated social reality than many period pieces.
Religious & Cultural Diversity
The narrative explores the friction between traditional domesticity and the burgeoning hippie movement. It critiques how military service disrupts established social norms and family units.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Summer of '67 succeeds in reframing a historical war drama through a domestic lens. By centering the emotional lives of women like Milly, Kate, and Ruby Mae, the film avoids the typical male-centric combat tropes of the genre. The production offers a multi-ethnic view of the era, moving beyond the homogeneous depictions often found in period dramas. This provides a more textured look at the American social fabric during the Vietnam War. However, the film remains tethered to traditional romantic structures. The lack of LGBTQ+ representation and the absence of disability narratives limit its ability to fully capture the era's complex social shifts.
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