
Ellie and Abbie (and Ellie's Dead Aunt)
2020

2011
Director
Wendy Jo Carlton
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
Jamie is moving in two weeks from Chicago to New York hoping to become a Broadway actress. Her best friend Jessica is bummed because she's not-so-secretly in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other girls. But Jessica's plan backfires, in a way she could never imagine. Set in working class Chicago and infused with musical dance numbers, "Jamie and Jessie are Not Together" is a love letter to those gray areas of love and lust and to the young romances we will never forget.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film centers entirely on queer desire and the complexities of non-heteronormative relationships. It disrupts traditional expectations by exploring the emotional labor of unrequited attraction between two female friends.
Gender Representation
The narrative prioritizes female agency and emotional autonomy. By focusing on the internal lives and romantic maneuvers of its female protagonists, the film elevates the female perspective within the romantic comedy genre.
Racial & Ethnic Diversity
There is no explicit mention of the racial or ethnic composition of the cast. While set in working-class Chicago, specific intersectional identities remain unconfirmed.
Religious & Cultural Diversity
The story explores the gray areas of love rather than idealized romantic milestones. It values personal journeys and emotional truth over established social or familial structures.
Disability Representation
There is no evidence to suggest the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
The film excels in its central exploration of queer identity, moving beyond simple tropes to examine the nuances of female friendship and romantic tension. By centering the plot on Jessica's unrequited love for Jamie, the narrative provides a meaningful look at non-heteronormative emotional landscapes. While the film successfully elevates female agency, it lacks information regarding racial, ethnic, or disability representation. This makes it difficult to assess the full scope of its intersectional inclusivity. Ultimately, the work serves as a character-driven study of modern romance, prioritizing individual passion and the complexities of queer desire over conventional cinematic structures.

2020

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