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Don't Forget, Don't Forgive

Don't Forget, Don't Forgive

Representation Score

5.7/10

Fair

1972

Director

Raymundo Gleyzer, Cine de la Base

Runtime

30 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Raymundo Gleyzer and the Cine de la Base collective use militant filmmaking to challenge state authority. The documentary serves as a tool for deconstructing institutional power and documenting the struggles of underrepresented political factions. The film achieves its impact through a radical critique of traditional institutions rather than modern multi-layered markers. It elevates the oppressed against the oppressor, replacing official state narratives with perspectives of systemic resistance. While the work lacks specific representation for LGBTQ+ or neurodivergent identities, its narrative structure challenges the legitimacy of the prevailing political and social hierarchy.

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Category Breakdown

Does Don't Forget, Don't Forgive have LGBTQ+ representation?

Fair

The documentary does not explicitly feature LGBTQ+ character arcs or non-cisgender identities. The focus is solely on the political struggle of prisoners against the Lanusse dictatorship.

How does Don't Forget, Don't Forgive portray gender?

Fair

The narrative centers on the collective struggle of political prisoners. While female combatants were part of these militant groups, gendered issues are overshadowed by broader class and political conflicts.

How racially and ethnically diverse is Don't Forget, Don't Forgive?

Fair

The film reflects the socio-political demographics of 1970s Argentina. It critiques the Eurocentric, military-led hierarchy by highlighting voices excluded from the dominant power structure.

How does Don't Forget, Don't Forgive represent religion and culture?

Excellent

The film disrupts institutional norms by portraying the state as oppressive. It prioritizes a critique of capitalism and state-sanctioned violence over official narratives.

Does Don't Forget, Don't Forgive include disability representation?

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the film's available documentation.

Present on Screen

  • Provides a profound disruption of traditional Western and institutional norms.
  • Functions as a powerful deconstruction of the official state narrative.
  • Centers the voices of those excluded from the dominant military power structure.

Limited or Absent

  • Lacks explicit evidence of LGBTQ+ character arcs or non-cisgender identity portrayals.
  • Gendered issues are often overshadowed by broader class and political conflicts.
  • Does not provide discernible evidence regarding the portrayal of disabilities.

Official Synopsis

On August 15, 1972, during the dictatorial government of General Lanusse, twenty political prisoners belonging to the PRT- ERP, FAR and Montoneros, escaped from Rawson prison in the Patagonian province of Chubut.

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