
Demonia
1990

2013
Director
Adam Ahlbrandt
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
Deep in the Pennsylvania hills, a cemetery for those who died during exorcism remains a dark secret for the church. In 1671, hundreds of men, women, and children suffered in bloody, torturous rituals at the hands of priests unable to contain the evil of the possessed. Were these possessions real, or is the story a hoax to cover up the sins of the deranged priests thirsty for human blood? Bill and his team of cynical paranormal investigators plan to find out the truth. Armed with the church's historical record, they set out into the wilderness to uncover this series of forgotten atrocities. Alternately gut-punching hilarious and brutally violent, The Cemetery takes the best elements of the old-school slasher film and pushes them to the edge.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or narratives. The story focuses on paranormal investigations and historical atrocities rather than non-cisnormative identities.
Gender Representation
The plot centers on an investigative team including Bill. While historical victims include women and children, the contemporary narrative follows a traditional ensemble structure.
Racial & Ethnic Diversity
The setting utilizes a Western historical framework centered in the Pennsylvania hills. There is no indication of a non-white or non-Anglo-Saxon majority in the contemporary cast.
Religious & Cultural Diversity
The film critiques Western institutions by framing the Church's history as a potential cover-up for systemic corruption. It disrupts the portrayal of religious authority as inherently moral.
Disability Representation
There is no specific evidence regarding characters with physical or neurodivergent disabilities. The themes of possession risk using mental health as a plot device without further detail.
Strengths
Areas for Improvement
AI Analysis
The Cemetery is a genre-driven horror film that prioritizes transgressive storytelling and institutional skepticism over demographic breadth. Its narrative strength lies in its subversion of religious sanctity, questioning whether historical atrocities were real or a cover-up for clerical sins. However, the film lacks significant representation across most identity categories. The contemporary plot appears to follow traditional structures, and there is no evidence of diverse racial, queer, or disabled characters being centered in the narrative.

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